Director
Carl Morasse
Production
Johanne Bergeron
Languages
French, English, Atikamekw, Innu, Inuktitut, Eeyou (Cree)
87 min, documentary, Quebec, Canada, 2016
INDIAN TIME is a personal and current portrayal of the 11 Aboriginal nations of Québec.
Synopsis
Captured over a period of five years within 18 communities, INDIAN TIME is a personal and current portrayal of the 11 Aboriginal nations of Québec, where some forty people take turns speaking, allowing for exceptional encounters and immersing the viewer – eyes and heart – in this ”Indian Time”.
produced by LA BOÎTE ROUGE VIF | camera and editing CARL MORASSE | additional camera BOGDAN STEFAN, FRANÇOIS-MATHIEU HOTTE, OLIVIER BERGERON-MARTEL, MAXIME GIRARD, MENDY BOSSUM-LAUNIÈRE | post production PEAK MEDIA sound mixing MARTIN LEMAY | colorization SAMUEL VEILLET | ACIC producer JOHANNE BERGERON | ACIC coordinator
MARIE-CHRISTINE GUITÉ | directed by CARL MORASSE
Carl Morasse
Carl Morasse works and teaches in Chicoutimi, Canada. Ethnographer filmmaker for the indigenous cultural organization La Boîte Rouge Vif since a dozen years, he travels the physical and imaginary territories of Québec fascinated by the cultural identities, the relationship with the Other and the contemporary issues. His artistic approach led him to consider the practice of the documentary as a tool of identity reappropriation.
Indian Time, 87 min, Documentary, 2016
L’univers des Innus d’Ekuanitshit, 54 min, Documentary, 2015
C’est notre histoire: Premières Nations et Inuit du Québec au 21e siècle, 44 min, Documentary, 2013
Préliminaires, 16 min, Documentary, 2011
S’identifier / S’exposer / Être ensemble, 24 min, Documentary, 2009
Matière première, 24 min, Documentary, 2008
Approche commune, 6 min, Documentary, 2007
Ça commence comme ça / La tradition en marche / Mémoire du territoire / Lieux d’échanges / S’inscrire dans le territoire, 25 min, Documentary, 2006
Fragments d’un sommet oublié, 4 min, Documentary, 2004
Sélection naturelle, 4 min, Documentary, 2003
Ainsi les bergers, 24 min, Documentary, 2002