F3M’s first theatrical release, La classe de madame Lise by Sylvie Groulx, won the Jutra (now Iris) Award for Best Documentary Feature in 2006. This early success paved the way for other landmark releases in Quebec and across Canada, including Godin by Simon Beaulieu and Over My Dead Body by Brigitte Poupart. As its catalog grew, F3M established itself as a key player in the industry. Over the years, its titles have screened at major international festivals including the Berlinale, IDFA, Visions du Réel, Sundance, and Rotterdam. Of particular note is the selection of At Night, They Dance by Isabelle Lavigne and Stéphane Thibault for Directors’ Fortnight at Cannes in 2011. Alongside its theatrical releases, F3M launched an online streaming platform, granting audiences access to the singular works of its wide-ranging catalog.
More recently, three of its titles have won the “Best Canadian Documentary” prize at Hot Docs: Prayer for a Lost Mitten by Jean-François Lesage (2020), zo reken by Emanuel Licha (2021), and I Lost My Mom by Denys Desjardins (2023). Many other documentaries from its catalog have also enjoyed remarkable festival runs, including The End of Wonderland by Laurence Turcotte-Fraser (IDFA), Má Sài Gòn (Mother Saigon) by Khoa Lê (Visions du Réel, Hot Docs), Caiti Blues by Justine Harbonnier (Visions du Réel, ACID Cannes, Hot Docs), Intercepted by Oksana Karpovych (Berlinale, CPH:DOX, IDFA, Hot Docs), Bedrock by Kinga Michalska (Berlinale), Shifting Baselines by Julien Elie (Visions du Réel, Hot Docs, Camden), and The Inheritors by Serge-Olivier Rondeau (DOK Leipzig). Short fiction films have also made their mark on the festival circuit, including On a Sunday at Eleven by Alicia K. Harris (Berlinale, TIFF) and Platanero by Juan Frank Hernandez (Sundance).